Bill begins
to believe the Monk's lies especially after the Doctor leads humanity
towards further oppression. But an unlikely ally provides the answers
they need, one that marks the end for Bill.
The
concluding chapter to the 'Monk Trilogy' is provocative in it's ability
to incite the uprise of humanity against the Monks. The notion that
humanity will not resist oppressive forces if they know it's always been
that way showcases the unique trait which separates the Monks from
other invasive races.
Writer
Toby Whithouse's script follows Bill's journey as she tells her Mum the
story of her reunion with the Doctor and Nardole. It's crisp, confident
and tense and as Bill makes the hardest decision she will most likely
ever make- killing the Doctor- to ensure humanity has a chance to fight
back against the Monks, the story superseds into complete lightness and
humour.
Pearl
Mackie and Peter Capaldi deliver stunning performances as they bounce
off each other's anger, frustration and desperation. Director Wayne Yip
takes an opportunity to deliver some amitious and stylish shots; the
flashes of the Monks lies flittering in front of the screen and the slow
motion cuts are aesthetically fracturing, emphasising the fake world
humanity now lives in.
The
Monks defeat was concluded strongly; the intricacies of the human heart
against political miss fire battled against the truth. Bill needs to
deal with the fact that she shot the Doctor, even if it was as an act of
betrayal and bravery. This one choice could challenge her understanding
of her capabilities and how much the Doctor has come to mean to her.
Murray
Gold's music is light yet intimidating and has a spy tinkering quality
to it that's dramatic but sophisticated. Bill's thought of her mother
was the metaphorical scissor that cut the link between Bill's mind and
the Monks power.
This
pure and raw thought was beautifully woven into the climax as Bill gave
her mother a voice. This theme of love and trust being more powerful
than any benevolent force is both liberating and what makes the show
unique. The majority of defeats is the strength of one human and their
memories, experiences and relationships rising up against the most
intellectual and universal antagonists.
Missy's
development was poignant and powerful; she still has that razor sharp
wit and accent bursts but the writers are beginning to investigate into
why she has led such a destructive and selfish existence.
Michelle
Gomez proves she can make us howl with laughter and weep as hard as
stubborn toddler. The lasting image of her recounting the lives she has
taken and being surprised at how much it hurts her is a testament to how
much more there is to explore and learn about her character.
The Lie of the Land is
a provocative, tense, powerful and unique exploration of an invasion
story. The 'Monk Trilogy' has been a consistently strong set of episodes
that have experimented with imagination and relevant issues. Combine
the two and you get a collection of adventure, tragedy, bravery,
liberation and waves of memorable humour.
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